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the metal jangles as the key turns
unlock the door, wipe my feet clean
oh my head sounds like that

the oil is spitting in the saucepan
i squeeze the sponge and let the cat out
oh my head sounds like that
oh my head
oh oh oh
oh oh oh

the water's dripping in the hallway
the guy next door, he knocks his wall down
oh my head sounds like that

the knife it scrapes across the burnt brown toast
the freight train rumbles past my window
oh my head sounds like that
oh my head
oh oh oh
oh oh oh
oh oh oh

around the axis we all spin
to determine what's left out and what's left in
what's left out and what's left in
what's left out and what's left in
who's left out and who's left in
who's left in

the moments come and go like water
i try to hold them but they're fading
oh my head sounds like that
oh my head
oh oh oh

Drums: Manu Katche
Percussion: Assane Thiam, Ged Lynch, Mahut Dominique, Hossam Ramzy
Guitars: David Rhodes
Bass: Tony Levin
Brass: The Black Dyke Mills Band
Brass Arrangement: Peter Gabriel, Ed Shearmur, Bob Ezrin
Loop Manipulation: Richard Chappell
Programming: Richard Chappell

Peter Gabriel foi vocalista do Genesis até 1975

Gabriel se reuniu aos antigos colegas de Genesis em 1982. A reunião aconteceu porque ele precisava cobrir os prejuízos que tinha tido com o WOMAD, o festival de world music criado por ele.

O disco So de 1986 foi o maior sucesso comercial de Peter Gabriel. Chegou ao segundo lugar da parada americana e rendeu os hits (e clipes inovadores) Sledgehammer e Big Time.

Gabriel também compôs trilhas para cinema como as de "Asas da Liberdade" de Alan Parker e "A Última Tentação de Cristo" de Martin Scorsese.

Peter Gabriel é dono do estúdio Real World. Os rendimentos do estúdio ajudam a manter Peter como um dos músicos mais ricos da Inglaterra.